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Screening: Afro-Futurism

VISIONARY APONTE: ART & BLACK FREEDOM
September 23rd, 2018
7:00 PM

  Archived
Banner image credit: Nina Angela Mercer // Invocation for José Antonio Aponte: Lámina 26, still, 2017, HD digital video with audio, written and performed by Nina Angela, video by Toshi Sakai. (courtesy of the artist)

VISIONARY APONTE: Art & Black Freedom

 

Visionary Aponte: Art & Black Freedom takes as its point of departure an extraordinary — and now lost — historical artifact: a “Book of Paintings” created by José Antonio Aponte.

Aponte was a free black carpenter, artist, and former soldier who was also the leader of an ambitious antislavery movement in Cuba during the Age of Revolution. During his trial, Aponte was forced to provide testimony describing each of the pictures in his book, which portrayed a wide array of subjects, from Biblical scenes to landscapes to episodes in the history of Africa, Europe, and the Americas. Using those descriptions, contemporary artists working in painting, drawing, sculpture, video, mixed media, and textile have reimagined Aponte’s book for our present and future. Visit aponte.dukefsp.org to learn more.

 

View the Full Schedule of Events at aponte.dukefsp.org

 

FILM SCREENING

Screening: Afro-Futurism

Public screening of three short films in anticipation of the opening of the Visionary Aponte: Art & Black Freedom exhibit at the Power Plant Gallery. Films include Invocation for José Antonio Aponte: Lámina 26, directed by Nina Angela Mercer and Toshi Sakai (2017), 8 minutes; Black Star: Rebirth Is Necessary, directed by Jenn Nkiru (2017), 11 minutes; and The Last Angel of History, directed by John Akomfrah (1996), 45 minutes.

SEP 23 // 7 PM // RUBY THEATER

Organized by the Power Plant Gallery and the Forum for Scholars and Publics in collaboration with Screen/Society at Full Frame Theater.

 

Visionary Aponte: Art & Black Freedom is a nine-week art exhibit and accompanying series of conversations, screenings, performances, residencies, and workshops at Duke University organized by the Power Plant Gallery and the Forum for Scholars and Publics. The exhibit is curated by Édouard Duval-Carrié and Ada Ferrer and is based on a digital humanities project called Digital Aponte. The accompanying events have been made possible with support from the following campus and community partners: the Center for Documentary Studies, the MFA in Experimental and Documentary Arts, The Office of the Vice Provost for the Arts — Duke Arts, Arts of the Moving Image, Screen/Society, the John Hope Franklin Humanities Institute, the Duke Dance Program, and Calabasa Calabasa: Dancing and Making the Music of Life.