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Aural Futures: Screen/Society

VISIONARY APONTE: ART & BLACK FREEDOM
October 25th, 2018
7:00 PM

  Upcoming Project   Add to Calendar 25-10-2018 19:00:00 26-10-2018 01:00:00 15 Aural Futures: Screen/Society VISIONARY APONTE: ART & BLACK FREEDOM DD/MM/YYYY

VISIONARY APONTE: Art & Black Freedom

 

Visionary Aponte: Art & Black Freedom takes as its point of departure an extraordinary — and now lost — historical artifact: a “Book of Paintings” created by José Antonio Aponte.

Aponte was a free black carpenter, artist, and former soldier who was also the leader of an ambitious antislavery movement in Cuba during the Age of Revolution. During his trial, Aponte was forced to provide testimony describing each of the pictures in his book, which portrayed a wide array of subjects, from Biblical scenes to landscapes to episodes in the history of Africa, Europe, and the Americas. Using those descriptions, contemporary artists working in painting, drawing, sculpture, video, mixed media, and textile have reimagined Aponte’s book for our present and future. Visit aponte.dukefsp.org to learn more.

 

View the Full Schedule of Events at aponte.dukefsp.org

 

FILM SCREENING

Aural Futures: Screen/Society

Public screening of The Model: Oshun and the Dream, Chapter 1 & 2, directed by Kahlil Joseph (2010), 7:57 minutes each; You and I and You, directed by Terence Nance (2015), 7:51 minutes; and Dirty Computer, directed by Janelle Monáe, Andrew Donoho, and Chuck Lightning (2018), 48:37 minutes.

OCT 25 // 7 PM // FULL FRAME THEATER

Organized by the Power Plant Gallery and the Forum for Scholars and Publics in collaboration with Arts of the Moving Image, Screen/Society, and the John Hope Franklin Humanities Institute at Duke University.

 

Visionary Aponte: Art & Black Freedom is a nine-week art exhibit and accompanying series of conversations, screenings, performances, residencies, and workshops at Duke University organized by the Power Plant Gallery and the Forum for Scholars and Publics. The exhibit is curated by Édouard Duval-Carrié and Ada Ferrer and is based on a digital humanities project called Digital Aponte. The accompanying events have been made possible with support from the following campus and community partners: the Center for Documentary Studies, the MFA in Experimental and Documentary Arts, The Office of the Vice Provost for the Arts — Duke Arts, Arts of the Moving Image, Screen/Society, the John Hope Franklin Humanities Institute, the Duke Dance Program, and Afro+ProjectionLAB.