Thursday, October 6, 2016
12:00 p.m. - 1:15 p.m.
Lunch served after talk
Join us at the Full Frame Theater for a conversation on activism and spoken word with Saul Williams, moderated by Mark Anthony Neal. Lunch will be provided after the conversation in the Power Plant Gallery. This conversation is followed by Saul Williams' performance with the Mivos Quartet on Friday, October 7 at 8:00 p.m. in the Nelson Music Room on East Campus.
A part of the Talking Music: Conversations with Scholars, Writers, Archivists, and Artists series, co-sponsored by Duke Performances and the Forum for Scholars and Publics. This installment in the series is also co-sponsored by Left of Black: A Black Studies for a Mobile Digital Network, the Center for Arts, Digital Culture & Entrepreneurship (CADCE), and The Power Plant Gallery. (The Power Plant Gallery is an initiative of the Center for Documentary Studies and the Master of Fine Arts in Experimental and Documentary Arts at Duke University.)
Presented as part of Duke Performances’ Hip-Hop Initiative, made possible, in part, with support from the Mary Duke Biddle Foundation.
Saul Stacey Williams is an American rapper, singer-songwriter, musician, poet, writer, and actor. He is known for his blend of poetry and alternative hip hop, and for his lead roles in the 1998 film Slam and Holler If Ya Hear Me, a Broadway musical featuring music by Tupac Shakur. As a writer, Williams has been published in The New York Times, Esquire, Bomb Magazine, and African Voices, as well as releasing four collections of poetry. As a poet and musician, Williams has toured and lectured across the world, appearing at many universities and colleges. In his interview in the book Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam, Williams explained why he creates within so many genres: "It's not that I balance those arts out, all the different arts balance me out. So, that there is a certain type of emotion that is more easily accessible through music than poetry... some things are meant to be written, some are meant to be sung, some things are meant to be hummed, some things are made to be yelled, and so that's just how life works."
Mark Anthony Neal
Mark Anthony Neal is Professor of African & African American Studies and the founding director of the Center for Arts, Digital Culture and Entrepreneurship (CADCE) at Duke University where he offers courses on Black Masculinity, Popular Culture, and Digital Humanities, including signature courses on Michael Jackson & the Black Performance Tradition, and The History of Hip-Hop, which he co-teaches with Grammy Award Winning producer 9th Wonder (Patrick Douthit).
He is the author of several books including What the Music Said: Black Popular Music and Black Public Culture (1999), Soul Babies: Black Popular Culture and the Post-Soul Aesthetic (2002) and Looking for Leroy: Illegible Black Masculinities (2013). The 10th Anniversary edition of Neal’s New Black Man was published in February of 2015 by Routledge. Neal is co-editor of That's the Joint: The Hip-Hop Studies Reader (Routledge), now in its second edition. Additionally Neal host of the video webcast Left of Black, which is produced in collaboration with the John Hope Franklin Center at Duke. You can follow him on Twitter at @NewBlackMan.