Christopher DeLaurenti follows his microphones into unusual confluences of sound, silence, music, and speech, including political protests, tunnels, digital audio forensics, and orchestra intermissions. His albums include N30: Live at the WTO Protest November 30, 1999 (American Archive, 2000), Favorite Intermissions (GD Stereo, 2007), Fair Use Music 1993-2013 (Alterity 101, 2013), and To the Cooling Tower, Satsop (GD Stereo, 2015). Presentations of his work include Radio National (Australia, 2015), Goldsmiths (London, 2014), Third Practice Festival (Richmond, 2013), and the Whitney Biennial (New York, 2012). He is Visiting Assistant Professor of Music at the College of William & Mary in Virginia. Much of his work is free and online at www.delaurenti.net.